The original clock music, used from 1982 – 1989, gave out a breathing sound on 8.5, 12, 15.5, 19.5, 23.5 and 27 seconds. The current clock music gives out a breathing sound (a sound created by a percussion instrument called a vibraslap) on 8.5 and 15.5 seconds. The original version did not have a "bong" at the end, which was added for Series 2, and (possibly due to tape damage) the clock music played at a slightly lower pitch in the mid-1990s, from around 1994 to 1996. However, there have been various minor changes over the years. To date there have been three major versions of the clock music, which ran from Series 1 to Series 17, a short-lived version in Series 31 (see below), and the most well-known version, which has run since Series 18. It was composed by Alan Hawkshaw and it is claimed that the tune came to him during a trip to the lavatory. The clock music is the famous 'think' music which is played during the rounds, giving time for the contestants to think of words and numbers solutions. All rights reserved.The clock music in a comedy sketch, featuring future contestant Richard Ayoade playing one of the contestants. Terms of Use and Privacy Policy and Safety Information / Your California Privacy Rights are applicable to you. ^ Back to Top ^ © 2023 ESPN Internet Ventures. He's won 10 BMI Music Awards, five ASCAP Music Awards and was honored as composer of the year at the 2014 Goldspirit Awards and the 2014 Cue Awards. Tyler's recent film credits include the Marvel films "Iron Man 3," "Thor: The Dark World," and the upcoming "Avengers: Age of Ultron," as well as "Teenage Mutant Ninja Turtles," "Into the Storm" and "The Expendables 3." He was nominated for an Emmy in 2014 for his work on the television series "Sleepy Hollow" - one of three career Emmy nominations. You'll hear the music throughout these shows, leading in and out of commercial breaks and during game highlights. Tyler composed show-specific scores for three of the network’s signature NFL programs: "Sunday NFL Countdown," "NFL Live" and "NFL Insiders," along with a general “NFL Gridiron” theme. "Brian is someone we've been using as a reference for a while, so it was particularly exciting to have the opportunity to work with him on this project." These are constant themes in Brian’s work, particularly the music he has scored for 'Iron Man 3' and other Marvel films,” Mitchell said. “We wanted a theme that was distinctive and that emphasized the heroic nature of football. "I assume people feel the same way I do about the game and hopefully the music translates and can capture that."Ĭlaude Mitchell, the coordinating director of ESPN Music, said Tyler's body work made him a natural choice for the job. "The people who are watching (highlights), they are tremendously into it - it doesn't matter if your team is in second-to-last place," Tyler said. Watching those highlights as a kid, he said, "made you feel like you were watching the most significant game in the history of the universe and it could have been a game that was 7 to 3 that had no impact on the playoffs. Rather, he was after the emotional impact the music conveyed. While the NFL Films highlights previously scored by composer Sam Spence were an inspiration, Tyler said he didn't set out to recreate or reboot those songs. Musically, I wanted to get all of those things." And after the game there's jubilant victory or crushing defeat. "There's the strategy, the mind games and the physicality of the battle itself. It's the angst you have, the nerves you're trying to allay - and at same time you're trying to psych yourself out to go on the battlefield," he said. "It's not just the battle itself, but preparation for the battle. He saw a parallel between the tension of the game and the emotions of battle scenes he has previously scored. Tyler, who has scored more than 60 films and numerous television series, tapped into those childhood football memories. And there was a place where those two worlds were one and the same - the weekly highlights produced by NFL Films, in which the dramatic game footage and the music that told the story were inseparable from each other. When Brian Tyler was growing up, he loved music and football. The new music premiered this past Sunday, along with ESPN's brand-new 9,000 square foot studio for NFL programming. The man who scored music for "Iron Man 3" and other Marvel films in the Avengers series, was asked to compose new music for ESPN's "Sunday NFL Countdown" - the first new music commissioned for the network's football programming in 18 years. You have reached a degraded version of because you're using an unsupported version of Internet Explorer.įor a complete experience, please upgrade or use a supported browser
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